So the Boss Baby has been sent to Tim’s household (via taxi cab) to try to get info on this new puppy. It turns out, this Boss Baby is a member of Baby Corp., a giant conglomerate run entirely by babies in a sort of ‘before-life.’ Babies are losing popularity to puppies, and the company that Tim’s parents work for, Puppy Co., is planning on releasing a new breed of puppy, one that could put Baby Corp out of business. Things get a little more complicated, however. Tim quickly grows resentful of the new baby as he receives all of his parents’ attention. With his finely-tailored suit and business savvy, Tim’s new little brother is the “Boss Baby” (Alec Baldwin). The gist of the story is that a young boy named Tim (Miles Bakshi) gets a new baby brother. They’ve never really learned their lesson, and fittingly for 2017, a year that was largely inconsistent for movies as a whole, Dreamworks released one of their more shaky pictures in the form of The Boss Baby.
While Pixar has popped out winner after winner for most of their existence (with a few exceptions), Dreamworks seemingly gives every idea that passes through the studio the green light, leading to a miss or two for every hit. Though they were once the only studio that could compete with Pixar in the realms of CG animation, they’ve never had the same level of quality control that Pixar has boasted. Dreamworks has always been an interesting presence in the world of animation.
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